Immediately after the taking out of a dozen or two of balls or tin cups, the performer may, if his previous arrangements tend thereto, proceed to extract from the hat a common bundle of firewood, which, the company may see, entirely fills the interior of the hat by itself. As, subsequent to the extraction of the balls, the performer has not even retreated to the stage, the company cannot but be at an utter loss to account for the presence of so ponderous a body. The bundle of wood is, however, far from being what it seems. That portion of it, the exterior, which is visible to the company, is genuine enough, being firewood, but this is only an outer layer glued upon a cylindrical shape of thick pasteboard, bound round, so as to look real, with a piece of string taken from a genuine bundle of wood. The bundle has only one end, made, of course, of pasteboard also, and covered with half-inch lengths of wood, which will present a perfectly real appearance. Into the open end are crammed the cups, balls, or other articles, which, being produced, enable the performer to subsequently extract the supposed bundle of wood without having refilled the hat. Some bundles are made with both ends covered, one end having a trap opening in it. This is to prevent the possibility of the unreal nature of the article becoming known; but I really do not see why both ends should ever be exposed; and, with the end perfectly open, the extraction of articles is very much facilitated. The bundle must, of course, be introduced into the hat from the shelf, it being too decidedly bulky to carry about the person.